Today we’d like to introduce you to Coulson Rich.
Hi Coulson, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I first became inspired by metalwork in 2006 during my first adventure to Burning Man. I was completely overwhelmed by what could be created and accomplished with steel. When I returned to Salt Lake City that fall, I began assisting in the construction of a 14-foot-tall mobile art piece called the Solar Saucer with a friend who had also been inspired by his Burning Man experiences, Scotty Soltronic.
The Solar Saucer was built from circularly rolled steel mounted on a dual-axle trailer, designed to look as though a UFO had landed on Earth. Outfitted with solar panels and battery storage, it doubled as a DJ booth and mobile sound system. Not overly concerned with money at the time, I continued practicing welding through hands-on projects, including a three-person rider bike. That project taught me some hard lessons—many of the welds and engineering choices failed—but the learning was invaluable.
I later built a small bike trailer from an old dolly and assorted scrap parts, which I named the “Jenk Cart”. (Then later turned into the “Jenk Train” as i continued to build extra carts to pull behind) This project was a success and gave me confidence to continue pushing forward. I began helping with other large-scale art projects for Burning Man and various art festivals, often working for very little pay in exchange for experience and knowledge.
Much of this work involved large “art cars”—themed art installations built onto vehicles—which expanded my skills in mechanics as well as surface treatments and facading techniques such as paint, canvas, and vinyl. I was fortunate to apprentice under several incredibly talented artists, contributing to some truly out-there creations, including “Fluffy” a giant Scorpion, Ganesh the Elephant, a massive Praying Mantis, “Poly” the Honey Bee, and a variety of others.
After several years, countless projects, and many wild trips to Black Rock City, I was ready to build something of my own. A friend opening a new restaurant in Bountiful asked if I could fabricate an exterior sign. I said yes—without fully understanding everything the project would entail. Borrowing a welder, I took on the job for $1,500, and it turned out to be a success.
I also was excited to take on a new medium to be able to explore building “Sacred Geometry”. Creating these forms was some of the first types of work that i got into while learning the trade. Long days and into the late nights, i was very passionate about the meaning and purpose behind the forms.
In October 2018, I founded Rich Metal Arts. I intentionally chose a vague name so I wouldn’t be confined to a specific identity within metal fabrication. I wanted the freedom to follow wherever the work and creativity might lead. I set up shop in the far back of a friend’s metal recycling warehouse, keeping overhead low while gaining access to a wide variety of materials.
Largely self-taught and learning as I went, I began saying yes to a wide range of fabrication projects. These included guard railings, gates, stairs and structural components for custom builds, as well as smaller artistic commissions such as custom stands for large crystals, planter boxes, fire mantels, and many other unique pieces for homeowners and general contractors.
To this day, Rich Metal Arts remains a fabrication business that is open to considering projects of any size or scope. I work not only in mild steel, but also in a variety of non-ferrous metals, including aluminum and stainless steel. I am committed to delivering five-star craftsmanship on every project.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
I have been fortunate to work with a largely gracious and respectful clientele. Like many small business owners, I have encountered financial challenges and underestimated projects along the way. Through clear communication, honesty, and accountability, I have been able to resolve difficulties and maintain strong working relationships.
I have also faced significant physical challenges unrelated to my work, including surgeries that required extended recovery periods. I am grateful for the continued support of my clients, as well as for the strength of my family and community during those times. These experiences reinforced the importance of reliability, resilience, and thoughtful planning in both my personal life and professional practice.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I take on a wide range of work, from highly artistic, high-end decorative pieces to gritty repair welding—whether that’s bringing new life to a rusty tractor or reinforcing a trailer that’s seen better days. My fabrication experience includes custom guard railings and hand railings, home furnishings such as custom furniture and table bases, fire mantels, chandeliers, and custom stands for large crystals. One of my most favorite jobs was building a pair of matching replicas of the 2002 Olympic Cauldron Torches. I also really enjoyed being the primary fabricator for a giant lotus flower portal with Harlen Emil for Burning Man
One of my strengths is translating a vague dream or vision into a clear, buildable design. Many homeowners and clients know how they want something to feel, even if they can’t fully describe it. Whether the project is large or small, I take the time to dig in, understand that vision, and bring it to life in a way that is both functional and well-crafted.
I am known for my precision and commitment to quality welding. My longtime helper, Emmett would often joke—or gasp—at how high my standards are. I will not take on work unless I can guarantee it will be done correctly and be structurally sound. This can be especially challenging in artistic fabrication, where there is no single “right” way to create art, but integrity and safety are never negotiable.
I am proud that I don’t compromise my quality or my pricing to satisfy those simply looking for a “good deal.” I choose to remain a small business so I can stand fully behind my work. What sets me apart is the relationships I build with my clients—I create friendships, not transactions. I genuinely care about the people I work with and the pieces I create. I’m not here to rush in and out for a quick profit. I care, and that shows in every project.
What do you like best about our city? What do you like least?
I love Salt Lake City for its easy access to the mountains. Being born and raised here, I was fortunate to learn how to ski at just two years old, and that connection to the surrounding mountains has stayed with me ever since. When I’m out in the field working, I’m usually already planning my next mountain adventure with my dog, Anna, once the day wraps up.
My least favorite part of living in Salt Lake is the winter inversion. Tied closely to that is the city’s rapid growth. It often feels as though development has outpaced thoughtful planning. The increasing number of cars on the road contributes to poor air quality, and the strain on limited resources—especially water and the health of the Great Salt Lake—is becoming harder to ignore. I believe growth should be balanced with long-term environmental responsibility.
Pricing:
- Please Inquire
Contact Info:
- Website: https://www.richmetalarts.com
- Instagram: https://instagram.com/richmetalarts
- Facebook: https://www.facebook.com/profile.php?id=61586004308538
- Other: https://www.google.com/search?q=rich+metal+arts
