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Meet Aatmica Ojha of Utah

Today we’d like to introduce you to Aatmica Ojha.

Hi Aatmica, so excited to have you with us today. What can you tell us about your story?
My journey as an artist has evolved through many different chapters of my life. I studied Fashion & Apparel Design, which gave me an early foundation in color, composition, creativity, and visual storytelling. After working in fashion for a few years, I gradually found myself drawn more deeply toward painting, and in 2016, I decided to pursue art seriously.

Becoming a mother brought a new dimension to that journey. Like many women, I struggled at times with the feeling that focusing on my own creative ambitions meant taking something away from my responsibilities toward my family. With the encouragement of my husband, I learned that I didn’t have to choose between the two. I could be a mother, nurture my family, and still continue building something meaningful for myself.

Over the years, my work has grown into a deeply personal exploration of emotions, resilience, human connection, nature, spirituality, and social issues. I primarily work in abstraction and mixed media, using color, texture, movement, hand strokes, and palette-knife techniques to translate feelings and ideas that can sometimes be difficult to express in words.

As my practice developed, I also began looking beyond the canvas. Art became a way for me to connect with people—through exhibitions, artist talks, workshops, community projects, and art education. One of the most meaningful parts of my journey has been working with children and communities and seeing how art can encourage confidence, collaboration, emotional expression, and a sense of belonging.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
It definitely has not been a completely smooth road. Like many creative journeys, mine has come with self-doubt, uncertainty, and the challenge of learning to trust myself.

One of my biggest struggles came after becoming a mother. I often felt guilty about spending time on my art because I felt such a strong responsibility toward my family. For a while, I questioned whether pursuing my own creative goals was selfish. With the support of my husband, I gradually learned that I didn’t have to choose between motherhood and being an artist. I could work toward a balance and still give my creative life the space it deserved.

Another challenge was learning to value my own work. There was a time when I was afraid to raise my prices because I kept thinking, “What if no one buys my art?” My husband encouraged me to take risks and reminded me that growth rarely happens when we stay completely comfortable. Learning to believe in the value of my work was a major turning point for me.

I have also struggled with the pressure artists often feel to define a recognizable style. Over time, I realized that I didn’t want fear of being inconsistent to stop me from experimenting. I learned to trust that style develops naturally through the way an artist thinks, feels, creates, and repeatedly makes choices.

Each of these struggles has ultimately pushed me forward. They taught me to take chances, keep experimenting, trust my instincts, and continue creating

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I’m an abstract expressionist artist, art educator, emotional wellness mentor, and philanthropist whose work explores emotions, resilience, inner strength, identity, and our relationship with the world around us. I primarily work with acrylic and mixed media, building layered surfaces through hand-applied strokes and palette-knife techniques. I’m drawn to color, movement, and texture because they allow me to make an internal feeling visible without defining exactly what the viewer should see.

Much of my work begins with emotion. In my Taming Emotions series, for example, I explore how we can move through grief, anxiety, stress, and uncertainty while consciously making space for hope, gratitude, love, and joy. My role as an emotional wellness mentor naturally connects with this part of my practice, because I believe art can become a way to reflect, process emotions, and build inner strength.

Other bodies of work explore environmental concerns, cultural identity, spirituality, women’s strength, and collective belonging. As a philanthropist and art educator, I also try to extend art beyond the studio through community projects, school programs, and collaborative experiences that bring people together.

What I’m most proud of is seeing art create connection. Through art-literacy programs and large collaborative school projects, I’ve watched participants realize that their individual contribution can become part of something much bigger.

What sets my work apart is the combination of physicality, experimentation, and emotional intention. I often use my hands directly on the surface, leaving a distinctly human presence in the marks. I don’t force myself into one visual formula or begin by trying to create a recognizable style. I experiment, respond intuitively to the work, and allow style to emerge naturally through my recurring relationship with color, texture, movement, and emotion.

Ultimately, I want my work to do more than be viewed. I want it to be felt—to create a moment of connection, reflection, hope, or renewed strength for the person standing in front of it.

Can you talk to us a bit about happiness and what makes you happy?
What makes me happiest is creating, connecting, and knowing that what I do has a positive impact on someone else. Art gives me the freedom to explore emotions, experiment, and turn something intangible into something people can see and feel. That process itself brings me a lot of joy.

I’m also happiest when I’m able to share that creativity with others—whether through teaching, community projects, mentoring, or simply seeing someone connect personally with one of my paintings. There is something deeply fulfilling about knowing that art can make someone pause, reflect, feel understood, or find a little more hope.

My family is also a huge source of happiness for me. They keep me grounded and remind me that growth is not only about professional achievements, but also about the relationships, experiences, and memories we build along the way.

Contact Info:

Three people smiling indoors, a woman in the middle, a girl on the left, and a man on the right holding papers, with colorful artwork in the background.

Children gather around a table painting a colorful board game at Viewmont Elementary School in Murray, Utah.

Woman standing in front of artwork in gallery, with people seated at tables in foreground.

Group of children holding colorful artwork in classroom with educational decorations and a whiteboard in background.

Girl standing next to a table with school supplies, smiling, in a school hallway with backpacks and a bulletin board.

Two women working on colorful abstract art projects at a table, with art supplies and a paper towel nearby.

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